stratum


- You would think that the best way to fathom the depths of human experience would be to attend to the world itself, and to learn directly from what it has to tell us. This is what inhabitants do all the time, in their daily lives, and we have much to learn from them. That’s why I continue to insist that if we are even to begin to resolve the crisis in our habitation of the world, then we should listen to the wisdom of inhabitants, whether they be human, or beings of other kinds, rather than taking shelter in the closeted self-referentiality of philosophical discourse -

Ingold 2020, Correspondences p. 8-9



 the distinction between the appearance and essence of water



A series of paintings of water, executed in impermanent pigment, eroded with water in the process (eroded by moisture from dehumidifier / shot at with water pistol / run under tap water / submerged in river water) -


In 2012 I have had the fortune to work for a month in Japan. This experience has informed my next steps in treating paint differently from the expressive drawing | painting forms I have learnt in my initail years of studying art. This attention could not be satisfied with one work or one series of works only. I started asking what water had to say for itself in its own depictions, I continued to meditate on the accidental imprints that paint leaves behind, I let the sun have its own say in the discolouration of paint, and as much as i was tempted to try and capture the erosion of paint through paintings, I surrendered to let eroded paint show that for itself. stratum, residuum, depositum, and reliquum are the result of this curioisty and my ‘attending to the world’ before I knew I was doing so.

JC



stratum V / sea foam | dehumidifier, gouache, sea water, fabric of building | dimensions variable | Ullapool | 2019 | intervention with David Cass | photographed by create create
stratum V / sea foam (detail) | photographed by create create
stratum V / sea foam (detail) | photographed by create create





sea / land documentation | digital image | Comino | 2009 | archive of the artist
stratum IV / sea foam | gouache and water on canvas | 35 x 35 x 10 cm | 2018 | photographed by the artist
stratum IV / sea foam | gouache and water on canvas | 35 x 35 x 10 cm | 2018 | photographed by the artist





stratum II  | gouache and water on panel | 37.5 x 37.5 cm | 2018 | photographed by the artist
stratum III | gouache and water on panel | 21.3 x 21.3 cm | 2018 | photographed by the artist
stratum II + III | installation intervention | Kyoto | 2018 | photographed by Masahiro Kawanaka
stratum III | photographed by Masahiro Kawanaka
stratum II | photographed by Masahiro Kawanaka
stratum II | result | photographed by Masahiro Kawanaka
stratum III | result | photographed by Masahiro Kawanaka





sea / land documentation | digital image | Comino | 2009 | archive of the artist
stratum I | gouache and oil on panel | 40 x 53 cm | 2012 | photographed by the artist
stratum I | immersed in Kamo River | Kyoto | 2012 | photographed by the artist
stratum I | Kyoto | 2012 | photographed by the artist
stratum I | Kyoto | 2012 | photographed by the artist
stratum I | Kyoto | 2012 | photographed by the artist
stratum I | Kyoto | 2012 | photographed by the artist


    



     

All artwork © Joseph Calleja | Please do not download, reproduce or share without permission

Studio 73|75|77
77 Mgarr Road Qala Gozo Malta